- Comes with Sony lens of your choice (Series 1 lenses only)
- 12.1MP Full-Frame CMOS Exmor R Sensor
- UHD 4K up to 120 | 1080p up to 240
- Compact Form for Cage-Free Operation
- 10-Bit 4:2:2 XAVC S-I,16-Bit Raw Output
- S-Cinetone/S-Log3/HLG, 15+ Stops DR
- Detachable 2 x XLR/TRS Adapter Handle
- Phase Detection AF/Face Tracking/Eye AF
- 80 to 409,600 Expanded ISO Range
- Dual CFexpress Type A/SDXC Card Slots
- Come with cards and batteries
Sony FX3 Full-Frame Cinema Camera with choice of Sony lens
Rental price per day $ 200.00
Description
With a compact design for solo shooters, travel applications, and to serve as an ideal B cam, the Sony FX3 borrows from both the Cinema Line and Alpha series of cameras to create an optimized portable cinema camera. The FX3 features all of the imaging attributes you’d expect from this class but sports a newly designed body that’s hand-holdable, with a streamlined and minimal profile, and has a “cage-free” design, indicating the ability to secure various accessories directly to the camera body.
Its 12.1MP Exmor R BSI CMOS sensor (10.2MP effective in video mode) pairs with a BIONZ XR processor to achieve UHD 4K video capture with internal 10-bit 4:2:2 sampling or 16-bit raw output. The sensor’s BSI design heightens clarity and sensitivity, with an expandable ISO 80-409600 range and greater-than 15-stop dynamic range for working in mixed lighting conditions. Benefitting color and tonal control, an S-Cinetone mode can be used for matching to VENICE, FX9, or FX6 sources and there is also S-Log3/2 gamut support and 10-bit HLG for simple HDR productions. The sensor and processor also work together to greatly reduce rolling shutter and the sensor’s design incorporates a Fast Hybrid AF system for intelligent and quick focusing performance and subject tracking.
Beyond the physical design just being compact, it’s also built to maximize efficiency and operability through the inclusion of an articulating 3.0″ touchscreen LCD, a removable shoe-mounted top handle with dual XLR mic inputs, and 5-axis mechanical image stabilization for smoother handheld recording.
Most Compact Member of the Cinema Line Family
This compact addition to Sony’s Cinema Line blends the full-frame, S-Cinetone capture of the FX6 with the UHD 4K capture, autofocus options, and body size of the a7S III camera. The video-forward design of the FX3 also shares several handling and audio features with the FX6 and the ISO range and battery of the a7S III.
Common FX3/FX6/a7S III Features
- Full-frame, back-illuminated 12.1MP Exmor R CMOS sensor and BIONZ XR processor
- High-speed rates of 120p in 4K and 240p in HD
- Dynamic range of 15+ stops
Shared FX3/FX6 Attributes
- S-Cinetone, S-Log3, HLG, and Rec. 709 gamma options
- Tally lamps on the front, side, and rear
- Internal fan to prevent overheating
- Zoom lever
Shared FX3/A7S III Attributes
- 5-axis in-body image stabilization
- 16-bit raw output via HDMI
- S-Log2 gamma choice
- 80 to 409,6000 ISO range (expanded)
Improved FX3 Features
- Comfortable, cage-free, handheld operation
- Greater than 1.6x battery runtime compared to a7S II
- USB-PD power option for extended shooting times
4K Full-Frame CMOS Exmor R Sensor
The 12.1MP Exmor R sensor and BIONZ XR processor offer true cinematic expression with 10.2MP effective video and 12.1MP stills capture. The full-frame sensor provides shallow depth of field looks, impressive bokeh, and reduced rolling shutter artifacts.
S-Cinetone Color
- Default S-Cinetone color setting provides a softer-toned look with beautiful skin tone reproduction
- Complements your VENICE, FX9, or FX6 footage
- S-Log-3, S-Gamut3, S-Gamut3.Cine, and 10-bit 4:2:2: support help to maintain rich gradation and color compatible with the range of Sony Cinema Line cameras
Cinematic Recording / Frame Rate Options
- Up to 600 Mb/s XAVC S-I ALL-I H.264 codec recording
- XAVC HS codec recording with H.265 encoding for lower bit rates in Long GOP
- Internal 10-bit 4:2:2 recording to CFexpress Type A or SD memory cards
- External, 16-bit raw,10-bit 4:2:2 output via HDMI type-A port
- 8-bit XAVC S or 10-bit XAVC HS proxy capture
- 10-bit, 4:2:2 color available in all formats including HLG
- Full-frame UHD 4K high-speeds up to 120p
- S35 HD high-speed rates up to 240p
- Up to 5x slow-motion rates
Compact Design / Ergonomic Operation
- Flexible, streamlined, 5 x 3 x 3″ form
- 3″ LCD with 1,440,000-dot resolution tilts for optimal viewing
- Can be used with or without a cage
- Right-handed controls feature placement consistent with the rest of the Cinema Line
- Five 1/4″-20 accessory threads on the FX3 body plus two on the top handle
- Intuitive touchscreen menu
- Customizable buttons for assigning 15 controls and up to 140 menu items
- Tally (record) lights are easily viewable on the top, front, and rear of the camera
- Dual CFexpress Type A/SD slots
- Relay, simultaneous, and backup recording
- Customizable zoom setting plus Clear Image Zoom
Detachable XLR Adapter Handle
- Top handle with two XLR-1/4″ TRS combo audio inputs
- Microphone holder and 3.5mm mic input
- Digital audio with up to 4-channel, 24-bit recording
- Contoured for comfortable low-angle shooting
Fast Hybrid / Phase Detection Autofocus
- Multiple autofocusing modes are designed for solo shooting
- Fast Hybrid AF uses 627 points to cover approximately 89% of the image frame
- Real-Time Eye AF, Eye and Face Detection, and subject Touch Tracking
Durable Build / Enhanced Operating
- An integrated cooling fan and a heat-dissipating design enable uninterrupted recording up to 4K60
- Magnesium-alloy chassis and shell
- Sealed against inclement weather and dust
Wireless Connectivity
- Dual-band 2.4/5 GHz wireless connectivity
- Wired LAN link using the USB Type-C port and a separate adapter
Post-Production Stabilization with E-Mount Lenses
- Sony’s Catalyst Prepare/Browse software uses shake metadata to stabilize your image
- Adjustable balance between shake compensation and image area trimming
INSPECTION - The customer agrees that the equipment supplied by Able and listed below (The Equipment) is received in good working order and suitable for use and that the Renter is familiar with its operation. On return of Equipment Able staff will inspect all items if the Renter does not wait for inspection Able Video & Multimedia may charge Renter for any damaged found during inspection.
PAYMENT - The Renter agrees to pay Able rental charges until the equipment is returned in good working order and any other applicable charges specified in this agreement.
LATE RETURN - The Renter agrees to return the equipment to Able’s facility on time or pay extra rental charges due on a pro rata basis.
BREAKDOWN - The Renter shall notify Able Video and Multimedia of any breakdown of the Equipment and not attempt repairs. The Renter will not interfere in any way with any mechanical fittings or appliances attached to or forming part of the Equipment or, without the written consent of Able, have any repairs effected thereto by any person other than an employee of Able or such person as Able may nominate. The Renter agrees to accept Able or it’s qualified repairer’s determination as to whether the Equipment is faulty and the cause of the breakdown.
DAMAGE - The Renter agrees to pay for damage to the equipment. In the case of damage or injury (by fire, storm or through any cause whatsoever) to/by the equipment, it is agreed that the cost of repair, replacement or damages as the case may be (and any charges payable according to this agreement), shall be paid by the Renter to Able on demand. Any such charges may be deducted from a deposit (if taken) left by the Renter and the Renter shall pay the excess to Able Video and Multimedia on demand.
COMPENSATION - The customer agrees to pay for the cost of equipment lost or stolen.The Customer shall also pay to Able Video and Multimedia on demand a sum equal to the rental charges which Able Video and Multimedia could have obtained for the period from the date of commencement of the rental of the equipment damaged, lost or stolen to the date of receipt by Able Video and Multimedia of Payment of the repair or replacement.
INDEMNITY- The customer is responsible for accidents caused by use of the equipment.The Customer indemnifies, and keeps indemnified, Able Video and Multimedia in respect of its liability for personal injuries, property damages and any associated legal expenses arising out of any accident which might be caused by or contributed to by, or arise out of the use, operation or handling of the equipment during the term of rental.
RECOVERY OF EQUIPMENT - Able Video and Multimedia has the right to recover the Equipment if charges are not paid and the renter is responsible for any costs associated with the recovery process.
NO WARRANTY OR GUARANTEE – Able gives no warranty, express or implied, as to description, quality, merchantability, fitness for any particular purpose, productiveness, or any other matter of operation of the Equipment and accepts no responsibility for it’s use by the Renter. The Renter hereby waives any such remedies, warranties, guarantees or liabilities, expressed or implied, arising by law or otherwise, against Able.
GENERAL OBLIGATIONS OF CUSTOMER
The customer is responsible for pickup and delivery/return from/ to Able Video and Multimedia’s facility during business hours unless otherwise stated in this agreement. The equipment shall not be considered returned until a full inventory has been completed and any missing equipment or replacements for damaged parts have been delivered to Able Video and Multimedia’s facility.
The Customer acknowledges that all equipment rented remains the property of Able Video and Multimedia at all times and the Customer will not sell, charge, pledge or part with possession of the equipment.
The Renter shall insure, at their expense, all the Equipment at all times during the rental, for full replacement cost and for loss of use of the Equipment. Coverage must begin from before the time the Renter takes delivery of the Equipment and continue until the time the Equipment is returned and the rental expires. The Renter shall insure for risk coverage that is greater or equal to the replacement cost of all Equipment and any rental or other charges payable under this agreement, including transit/shipping, Public & other Liability Coverage, Property Insurance and Workers Compensation Insurance, prior to taking delivery of Equipment. Such insurance shall be written by reputable insurers. Notwithstanding this paragraph, the Renter shall remain primarily liable to Able for full performance under the terms and conditions of this Rental agreement and Able may enforce it’s remedies directly against the Renter without resort to their insurance.
Upon taking taken delivery of the equipment, the Renter’s responsibility includes, but is not limited to, risks while in transit, at all locations named and unnamed, and while in use, or storage at Able Video and Multimedia’s facility. The Renter’s responsibility is discharged when the equipment is returned and the rental term has expired. Equipment will not be deemed to have been returned until all of the following conditions have been met: 1) property has been brought back to the premises during normal business hours; 2) an inventory has been completed and a missing and damaged list has been compiled, if needed; and 3) the term of the Rental Contract has expired.
The Customer acknowledges having received the equipment in good working order and condition. The Customer may test the equipment at Able Video and Multimedia’s facility before taking delivery to ensure it is in good working order and condition prior to taking delivery. The Customer will use the equipment in a careful and proper manner and permit only skilled and experienced personnel to use the equipment and will not use the equipment in connection with any dangerous or hazardous activity.
